Search Posts
Lastest Posts
DOCUMENTARY PORTRAITS OF STATUE MAKERS - HO CHI MINH CITY
In the back alleys of Ward 12, District 6, Ho Chi Minh City, a cluster of workshops has been making religious and Buddha statues for close to a hundred years. Generations of craftspeople have worked here, and the area has become known for the trade.
I went to photograph the people working in these spaces and the environments around them — busy, cluttered places, with statues in various stages of completion alongside the tools and materials of the trade.
My interest was in the craftspeople and their work, rather than simply the finished statues. I wanted to photograph them as I found them, surrounded by the statues, tools and materials of the workshop.
It was a real privilege to be given access and to spend time photographing the people and their working environments.
ĐÀ LẠT, VIETNAM — PORTRAITS FROM VIETNAM’S FLOWER FARMS
At the high elevations of Đà Lạt, cool temperatures and a favourable climate have made the region one of Vietnam’s centres for floriculture and vegetable production. The surrounding hills are covered with greenhouses, creating a distinctive agricultural landscape around the city.
I visited Đà Lạt to photograph the growers and the environments in which they work, from extensive modern poly-greenhouses to smaller, locally adapted structures. Inside, rows of flowers and plants are carefully cultivated, with growers working through the different stages of planting, tending and harvesting.
The scale and variety of the greenhouses reflect the changing nature of agriculture in the region. Traditional knowledge and hands-on approaches sit alongside increasingly sophisticated methods of cultivation, technology and climate control.
The photographs focus on the people behind the production as well as the landscape they have created, documenting the relationship between the growers, their crops and the structures in which they work. Together, the images offer a glimpse into contemporary flower farming in Đà Lạt and the people who sustain it.
KAMPONG PHLUK — PEOPLE, COMMUNITY AND CELEBRATION IN CAMBODIA
This series of portraits from Kampong Phluk, Cambodia, was recently featured in ArtDoc Photography Magazine’s Being Human edition, Issue #3, 2026 — a collection exploring shared humanity across different cultures and communities.
These portraits were made during a wedding celebration in Kampong Phluk, a stilted fishing community on the floodplain of Tonlé Sap Lake in Cambodia’s Siem Reap Province. As a documentary photographer, I photographed people of all ages as they gathered with family, friends, and neighbours to celebrate the occasion.
Made throughout the village, the series of environmental portraits captures individuals in the streets, homes, and communal spaces of Kampong Phluk. Rather than documenting the wedding itself, the focus is on the people who make up the community — their expressions, gestures, and brief moments of connection as the celebrations unfolded.
Rooted in a specific place and cultural setting, the portraits reflect familiar themes of family, community, and belonging. The series offers a glimpse into everyday life in Kampong Phluk through a collection of documentary portraits made during a shared moment of celebration.
LEEDS BRADFORD AIRPORT PARTNERSHIP – NATWEST ANNUAL REPORT CASE STUDY SHOOT
Photography and video for NatWest’s 2025 annual report and campaign, documenting the ongoing partnership with Leeds Bradford Airport.
Shot in a natural, documentary style, we focused on real moments between NatWest and the airport’s leadership team, capturing conversations, collaboration, and the working relationship behind major infrastructure development and growth.
The aim was to reflect a trusted, long-term partnership and the role of financial support in helping the airport continue to evolve and expand.
The work forms part of NatWest’s ‘Succeeding with customers’ story, highlighting how close collaboration helps businesses deliver real-world impact.
NATWEST ANNUAL REPORT PHOTOGRAPHY AND VIDEO – FASHION START UP
Photography and video for NatWest’s 2025 annual report, focused on the work with Intotum, a fashion start-up creating stylish, functional clothing for the disabled community.
Shot in a natural, documentary style, we focused on real moments between the business and the NatWest team, showing how the relationship has supported Intotum’s journey from the Accelerator programme through to becoming an established customer.
Intotum was founded to bridge the gap between function and fashion, with a clear aim to give greater independence and individuality to disabled people through adaptive clothing.
The work forms part of NatWest’s ‘Succeeding with customers’ story, highlighting purpose-led businesses and the support that helps them grow with confidence.
Check out the video here
NATWEST ANNUAL REPORT PHOTOGRAPHY - FIRTH FARMING CASE STUDY
For NatWest’s 2025 annual report and climate transition reporting, we travelled to document the partnership with Firth Farming on location.
Working in a natural, observational style, we focused on capturing real moments between the farm and NatWest team, showing how the relationship has supported the farm’s evolution into an organic enterprise.
As a photographer, the emphasis was on authentic interaction and quiet, unforced moments that reflect trust, collaboration, and long-term support.
The stills and film are being used across the annual report, campaign assets, and digital channels, supporting the theme of ‘Succeeding with customers’ and NatWest’s role in helping agricultural businesses grow sustainably.
NATWEST ANNUAL REPORT PHOTOGRAPHY AND VIDEO – BE. EV CASE STUDY IN MANCHESTER
Photography and video commission for NatWest’s 2025 annual report, shot on location in Manchester with EV charging network Be.EV.
The project focused on capturing a real case study that illustrates NatWest’s role as a trusted financial partner, supporting Be.EV’s rollout of electric vehicle charging infrastructure across the UK.
Working in a natural, documentary style, we photographed and filmed candid moments of collaboration between the NatWest team and Be.EV leadership.
Created for print, digital, and colleague communications, the imagery uses authentic storytelling to highlight partnership, innovation, and how NatWest supports customers as they grow and invest in the future.
Check out the video here
NATWEST ANNUAL REPORT PHOTOGRAPHY – ORKNEY ISLANDS SHOOT
A corporate photography shoot for NatWest’s annual reporting and communications, documenting The Flying Branches initiative on the islands of Kirkwall and Westray in Scotland.
The project followed a NatWest advisor travelling from mainland Scotland to meet customers in person, highlighting the bank’s commitment to regionality and community connection.
Using authentic storytelling and real case study moments, the imagery captures genuine interactions between the advisor and customers.
Shot in a natural, documentary style, the focus is on the importance of human connection in banking.
The resulting photography presents a unique, real-world example of NatWest supporting customers in their day-to-day financial lives, even in some of the most remote communities in the UK.
Check out the video here
NATWEST ANNUAL REPORT PHOTOGRAPHY WITH OLYMPIC BOXER LEWIS RICHARDSON
For the latest brief for NatWest’s 2025 annual report, we photographed and filmed Olympic boxing medallist Lewis Richardson at home and in the gym.
The project focused on capturing candid, natural images that reflect the role financial planning can play in helping people manage their careers, ambitions, and life beyond sport.
Working in a documentary style, we photographed Lewis in conversation with his NatWest financial advisors, alongside training scenes that highlight the dedication and discipline behind his success.
The visuals use authentic storytelling to show how financial services play a role in everyday life.
Check out the video here
DOCUMENTING SCHOOL LIFE WITH GETTY IMAGES – EDUCATION PHOTOGRAPHY
A documentary-style education photography shoot produced with the Getty Images team, capturing a day in the life of young students at a secondary school in the North East of England.
The project focused on authentic moments throughout the school day, documenting classroom learning, social interaction, and everyday routines in a natural and observational way.
Shot on location within a real school environment, the aim was to create relatable, people-focused imagery that reflects modern education and student life.
From lessons and group activities to quieter in-between moments, the resulting images form a genuine portrait of young people within today’s school communities.